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share 1 ALBUM every 2 WEEKS
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7.11.2013

Josh Ritter - The Beast in Its Tracks (7.10.13 - 7.24.13)


 
We’ve only been waiting since the dawn of human expression, but the perfect “getting over a heartbreak” album has finally arrived, courtesy of one Josh Ritter.  Written in the hangover of his divorce, The Beast In Its Tracks (his first full length album in three years) offers the words of wisdom and empathy that a crushed soul wants and needs to hear.  The melodies are light and the lyrics are heavy, which more or less epitomizes how one feels in the wake of an unwanted break up; thoughts heavy, in need of something uplifting.  Well, this is it.
Ritter’s bruises and scabs haven’t quite healed, as this album riddled with bitterness and signs of lingering pain.  However, he still cannot hide his joy and optimism towards moving on, which writing and recording this album helped him do.  It seems that Ritter’s words, although wide-reaching, are not intended for the listener, but intended to comfort and convince himself that he is over it and in a better place having found someone new to love.  The tracks “Hopeful”, “New Lover”, and “Appleblossom Rag” are excellent examples of this manifestation of emotions.  Each begin with an obvious focus on the former lover, but it is equally obvious where thoughts of “stop thinking about her, man!” entered his mind, the lyrics shifting towards a more positive outlook.  He sings, “I’ve got a new lover now, I hope you’ve got a lover too…” praising the next love and immediate effects it has on the enduring sting of a broken heart.  He continues, presumably with a wide grin, “but if you’re sad and you are lonesome, and you’ve got nobody true, I’d be lying if I said that didn’t make me happy too”, addressing  that difficult and sometimes shameful range of thoughts in a refreshingly blunt manner.
I don’t think there is anything more that I could say that you couldn’t figure out after hearing it for yourself.   Ritter’s writing is exceptional and, as one Amazon reviewer put it, “if his lyrics were prose, you’d underline them.”

- Matthew Blaine

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